La La Land (2016) vocabulary: the 446 English words to know
854 different words in this film. Knowing the 1,000 most common English words covers about 80% of this film; the 3,000 most common, about 89%.
Mark the words you already know, then review the rest until they stick. No account needed.
| Word | Uses |
|---|---|
| jazz | 23 |
| 00:19:10I don't think I'm gonna like her. Does she like jazz? | |
| mmm | 11 |
| 00:30:49Mmm-hmm, yes. | |
| audition | 10 |
| 00:09:41Mia! How'd the audition go? | |
| crowd | 9 |
| 00:11:10Someone in the crowd could be the one you need to know | |
| tour | 9 |
| 01:18:49What are you doing after the tour? | |
| shine | 8 |
| 00:02:02And chasing all the lights that shine | |
| incredible | 7 |
| 00:41:13- She sounds incredible. - She was incredible. | |
| actress | 7 |
| 00:29:52So you're an actress. I thought you looked familiar. | |
| roll | 6 |
| 00:02:14'Cause morning rolls around | |
| band | 6 |
| 00:40:06All the big swing bands used to play there. Count Basie, Chick Webb. | |
| grab | 5 |
| 00:27:07- I'm gonna grab a drink. - Okay. | |
| theater | 5 |
| 00:40:52She was in a traveling theater company. | |
| samba | 5 |
| 00:18:54You won't believe it. They turned it into a samba-tapas place. | |
| tapas | 5 |
| 00:18:54You won't believe it. They turned it into a samba-tapas place. | |
| grow up | 5 |
| 00:40:54I grew up in Boulder City, Nevada. | |
| reach | 4 |
| 00:01:59Climb these hills, I'm reaching for the heights | |
| nervous | 4 |
| 01:17:58Um... I'm nervous. | |
| chicken | 4 |
| 01:03:43to "Chicken on a Stick." | |
| bite | 4 |
| 01:26:31Okay, now bite your lip like this, sort of like... | |
| exciting | 4 |
| 00:27:02There's been a lot of buzz, people talkin' about me, which is exciting. | |
| pure | 4 |
| 00:05:35I know. I know, it was pure insanity. | |
| steady | 4 |
| 01:05:43No, he doesn't have a steady gig. | |
| bout | 4 |
| 00:21:35How 'bout two for you, one for me? | |
| lip | 4 |
| 01:26:31Okay, now bite your lip like this, sort of like... | |
| haul | 4 |
| 00:39:07I basically just hauled ass past the guard gates. | |
| bear | 3 |
| 00:30:26I have this idea to do a re-imagining of Goldilocks and The Three Bears, | |
| shh | 3 |
| 01:33:32What? Shh! Stop! | |
| low | 3 |
| 00:00:31overnight lows of 75. | |
| sky | 3 |
| 00:33:00Would love this swirling sky | |
| research | 3 |
| 00:46:04- You know, for research. - For research. | |
| romantic | 3 |
| 00:19:38I don't know. It's not as romantic as that. | |
| rope | 3 |
| 00:19:58you're acting like life's got me on the ropes. | |
| height | 3 |
| 00:01:59Climb these hills, I'm reaching for the heights | |
| wreck | 3 |
| 00:05:28And I swear to God, she was wrecked. | |
| trumpet | 3 |
| 00:44:36And now look, the trumpet player. | |
| relaxing | 3 |
| 00:43:57- Mmm-hmm? - I just find it relaxing. | |
| keyboard | 3 |
| 01:26:22Okay, keyboard. Okay, look up. | |
| unpack | 3 |
| 00:18:41When are you gonna unpack these boxes? | |
| lunacy | 3 |
| 00:05:44"Lunacy! It was pure lunacy." | |
| get up | 3 |
| 00:02:10You get up off the ground, it's another day of | |
| let down | 3 |
| 00:02:06And when they let you down, it's another day of | |
| cry | 2 |
| 01:33:48Or I'm crying, and they start laughing! | |
| lawyer | 2 |
| 00:42:01So, yeah, should've been a lawyer. | |
| glass | 2 |
| 00:10:20all packed into one of those big glass houses. | |
| dirty | 2 |
| 00:19:47Why do you say "romantic" like it's a dirty word? | |
| aunt | 2 |
| 00:40:49- My aunt was an actress. - Oh, okay. | |
| type | 2 |
| 00:21:32it worked on a sort of "one for you, one for me" type system. | |
| smile | 2 |
| 01:37:39She smiled | |
| earlier | 2 |
| 00:45:36For a TV show. The one I was telling you about earlier. | |
| admit | 2 |
| 00:29:32And I'll admit I was a little curt that night. | |
| waste | 2 |
| 00:33:22What a a waste of a lovely night | |
| build | 2 |
| 00:51:33Actually, China's going to build a canal. | |
| lock | 2 |
| 00:20:13- I'm gonna change the locks. - You can't afford it. | |
| burn | 2 |
| 01:14:26Come on, let it burn, baby | |
| bathroom | 2 |
| 00:09:53Why is there a convention in the bathroom? | |
| goddamn | 2 |
| 01:22:13before I signed on the goddamn dotted line! | |
| note | 2 |
| 00:44:02Sidney Bechet shot somebody because they told him he played a wrong note. | |
| rule | 2 |
| 00:48:39You either follow my rules or follow my rules. | |
| view | 2 |
| 00:32:40We've stumbled on a view | |
| heat | 2 |
| 00:27:01I got a lot of heat right now. | |
| lift | 2 |
| 00:11:14The one to finally lift you off the ground | |
| draw | 2 |
| 01:45:44- Are you drawing? - Yeah. | |
| whenever | 2 |
| 00:45:13We're gonna play whatever we want, whenever we want, | |
| kinda | 2 |
| 00:44:15And everyone would kinda just talk over it. | |
| basically | 2 |
| 00:39:07I basically just hauled ass past the guard gates. | |
| gate | 2 |
| 00:39:07I basically just hauled ass past the guard gates. | |
| hill | 2 |
| 00:01:59Climb these hills, I'm reaching for the heights | |
| bedroom | 2 |
| 00:41:15And I would put on all these plays in my bedroom, | |
| familiar | 2 |
| 00:10:22This looks familiar. | |
| player | 2 |
| 00:44:26Look at the sax player right now. | |
| request | 2 |
| 00:28:01Thank you. Any other requests? | |
| chase | 2 |
| 00:02:02And chasing all the lights that shine | |
| role | 2 |
| 00:42:22You could just write your own roles, you know? | |
| piano | 2 |
| 00:28:13All right, piano man, tickle those ivories. | |
| successful | 2 |
| 01:20:07- was so important. - You didn't think it would be successful? | |
| climb | 2 |
| 00:01:59Climb these hills, I'm reaching for the heights | |
| approach | 2 |
| 00:53:48As this star approaches us... | |
| library | 2 |
| 00:40:57So across the street from my house there was this little library | |
| disappointed | 2 |
| 00:10:33I'm disappointed in you, Lex. There's nothing to make fun of. | |
| quality | 2 |
| fella | 2 |
| 00:44:24You have to see what's at stake. I mean, look at these fellas. | |
| insist | 2 |
| 00:06:11Oh, no, thank you. I insist. | |
| classic | 2 |
| 00:20:07It's a classic rope-a-dope. | |
| script | 2 |
| 00:59:07What is that? Is it a script? | |
| gig | 2 |
| 01:04:33Who was that guy at The Lighthouse? The guy that offered you the gig? | |
| rhythm | 2 |
| 00:02:23The rhythms in the canyons that'll never fade away | |
| suggestion | 2 |
| 00:28:10"I Ran." A fantastic suggestion. | |
| passionate | 2 |
| 01:21:52People will want to go to it because you're passionate about it, | |
| revolutionary | 2 |
| 01:07:54These guys were revolutionaries. | |
| musician | 2 |
| 00:29:38But requesting "I Ran" from a serious musician, it's just... it's too far. | |
| shanghai | 2 |
| 00:19:32- I know. - It's not my fault I got shanghaied. | |
| insanity | 2 |
| 00:05:35I know. I know, it was pure insanity. | |
| rehearse | 2 |
| 01:18:54'Cause I have to rehearse. | |
| weirdo | 2 |
| 00:32:01- Weirdo. That was the word. Weirdo. - Okay. | |
| increasingly | 2 |
| 00:53:43and notice a star increasingly bright and increasingly near. | |
| ache | 2 |
| 01:38:31Here's to the hearts that ache | |
| stumble | 2 |
| 00:27:26But I'll be stumbling away | |
| tat | 2 |
| 01:10:33The rat-tat-tat of my heart | |
| cram | 2 |
| 00:10:30every Hollywood cliché crammed into the same room? | |
| nostalgic | 2 |
| 01:03:23It feels really nostalgic to me. | |
| sax | 2 |
| 00:44:26Look at the sax player right now. | |
| hypnotize | 2 |
| 00:28:48The kind of eyes that hypnotize me through | |
| prob | 2 |
| 00:05:57What is his prob... I should go. | |
| caca | 2 |
| 00:42:27- uh, piece of caca. - Yeah. | |
| find out | 2 |
| 01:41:18When do you find out? | |
| look up | 2 |
| 01:26:22Okay, keyboard. Okay, look up. | |
| make up | 2 |
| 01:29:14I'm gonna make it up to you. Let me make it up to you, okay? | |
| show up | 2 |
| 01:18:02Because what if people show up? | |
| bloody | 1 |
| 01:26:12"What's wrong with that one?" It doesn't bloody work, that's what's wrong with it! | |
| college | 1 |
| 00:41:53So anyway, I left college after two years to come here | |
| green | 1 |
| 00:31:10- With a green ribbon. - All right. | |
| cute | 1 |
| 00:33:36And though you look so cute in your polyester suit | |
| joke | 1 |
| huge | 1 |
| 01:33:13and audition for this huge movie that she's got. | |
| holy | 1 |
| 00:09:34Whoa! Holy shit! You wanna open a window? | |
| doubt | 1 |
| 00:31:37- I doubt it. - Yeah, I don't think so. | |
| shop | 1 |
| 00:29:55Uh... coffee shop on the Warner Brothers lot. | |
| quit | 1 |
| 01:28:25Oh, my God! Don't quit your day job. | |
| field | 1 |
| 00:54:00The great polar fields of the north and south will rot and divide, | |
| decision | 1 |
| 00:21:42- Okay. - Mutual decision, then. | |
| south | 1 |
| 00:54:00The great polar fields of the north and south will rot and divide, | |
| difference | 1 |
| 00:19:37What's the difference? | |
| push | 1 |
| 00:02:48That'll be the thing to push him on | |
| north | 1 |
| 00:54:00The great polar fields of the north and south will rot and divide, | |
| beer | 1 |
| 01:03:58So I'm gonna have chicken, beer, jazz. "Chicken on a Stick." | |
| experience | 1 |
| 01:21:58- You remind people of what they forgot. - Not in my experience. | |
| planet | 1 |
| 00:25:25- It's a warning. - What planet are you from? | |
| bus | 1 |
| 00:01:43Without a nickel to my name, hopped a bus, here I came | |
| search | 1 |
| 00:54:07The last of us search the heavens and stand amazed, | |
| jump | 1 |
| 01:37:31She told us that she jumped into the river once. | |
| river | 1 |
| 01:37:31She told us that she jumped into the river once. | |
| listening | 1 |
| 01:07:37How you gonna save jazz if no one's listening? | |
| address | 1 |
| 00:10:42You've got the right address | |
| yep | 1 |
| 01:32:08- Yep? - Hi, I'm trying to reach Mia Dolan. | |
| blame | 1 |
| 01:29:24- I don't blame you for not wanting... - It's over. | |
| mission | 1 |
| 00:10:56Tonight we're on a mission, tonight's the casting call | |
| heaven | 1 |
| 00:54:07The last of us search the heavens and stand amazed, | |
| action | 1 |
| 00:40:47- Action! - Oh, um... | |
| notice | 1 |
| 00:53:43and notice a star increasingly bright and increasingly near. | |
| director | 1 |
| 01:33:02Amy Brandt, the casting director? | |
| guard | 1 |
| 00:39:07I basically just hauled ass past the guard gates. | |
| begin | 1 |
| 00:04:14Another day has just begun | |
| spot | 1 |
| 01:04:08- What are you talk... - Find a new spot. | |
| suit | 1 |
| 00:33:36And though you look so cute in your polyester suit | |
| west | 1 |
| 00:01:15I left him at a Greyhound station west of Santa Fe | |
| hero | 1 |
| stage | 1 |
| 01:18:10I'm nervous to get up on a stage and perform for people... | |
| bunch | 1 |
| 00:10:17It's not. It's gonna be a bunch of social climbers | |
| track | 1 |
| 00:51:05I don't even know. I can't keep track of it, but honestly, it was life-changing. | |
| however | 1 |
| 00:45:16however we want, as long as it's pure jazz. | |
The film has 296 more words like these: add it to see them all.
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